When Neil Patterson Jr. was about 7 or 8 years old, he saw a painting called “Gathering Chestnuts,” by Tonawanda Seneca artist Ernest Smith. Patterson didn’t realize that the painting showed a grove of American chestnuts, a tree that had been all but extinct since his great-grandparents’ time. Instead, what struck Patterson was the family in the foreground: As a man throws a wooden club to knock chestnuts from the branches above, a child shells the nuts and a woman gathers them in a basket. Even the dog seems engrossed in the process, watching with head cocked as the club sails through the air.
Patterson grew up on the Tuscarora Nation Reservation just south of Lake Ontario near Niagara Falls. The painting reminded him of his elders teaching him to harvest black walnuts and hickories.
“I think, for me, it wasn’t about the tree, it was about a way of life,” said Patterson, who today is in his 40s, with silver-flecked dark hair and kids of his own. He sounded wistful.
The American chestnut tree, or číhtkęr in Tuscarora, once grew across what is currently the eastern United States, from Mississippi to Georgia, and into southeastern Canada. The beloved and ecologically important species was harvested by Indigenous peoples for millennia and once numbered in the billions, providing food and habitat to countless birds, insects, and mammals of eastern forests, before being wiped out by rampant logging and a deadly fungal blight brought on by European colonization.
Now, a transgenic version of the American chestnut that can withstand the blight is on the cusp of being deregulated by the US government. (Transgenic organisms contain DNA from other species.) When that happens, people will be able to grow the blight-resistant trees
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